Juried National Show: Intersections
Past Exhibition
Upper Gallery July 9 - August 8, 2026Intersections explores the dynamic spaces where paths cross and ideas converge. Viewing the crossroads as both literal and metaphorical, contrasts naturally coexist: movement and stillness, structure and fluidity, tradition and innovation. We invite artists to reflect on the tensions that emerge when forces – social, cultural, and political – collide and reshape one another.
Artists are encouraged to interpret this theme expansively. Intersections may appear in urban grids and rural crossings, overlapping identities, or the meeting of cultures, disciplines, and materials. Works might explore transitional states, shared territories, liminal spaces, or moments of decision and change – points where histories, policies, and personal narratives meet.
In a world shaped by connection and division, intersections define how we move, come together, and transform. This exhibition seeks artworks that magnify spaces where differences encounter one another—where dialogue, resistance, and possibility coexist—and where something new may emerge.
Juried by Almitra Stanley:
Almitra Stanley is the Gallery Director of Boston Sculptors Gallery, a cooperative gallery located in Boston’s SOWA district that features innovative contemporary sculptures made by regional artists. She is also the founder of Art Maven Consulting, which has provided professional development consultation and career coaching for private clients and funding organizations operating in the art sector since 2012. Stanley holds a B.F.A. from Massachusetts College of Art, and an M.A. in art history and museum studies from Tufts University.
“The curatorial process posed a welcome challenge as I reviewed myriad takes on the Intersections theme—dynamic, innovative, and canny. I endeavored to represent a full range of media and conceptual interpretations, including an energetic painting depicting a dense thicket of intertwined branches, a sly nocturnal fox crossing a desolate roadway, thoughtful portrayals of political dissonance, a large woven sculpture with a precarious cant, and a photograph of an extraterrestrial investigating our landscape. My aim was to create a snapshot illustrating the intersection of connectivity and discord that defines this particular moment in time.”
Featured Artwork by Mark Younkle
Prizes
- 1st Prize : Japanese Statuette with Goku by Robert Grady
- 2nd Prize : Saint Virgil Abloh on Louis Vuitton by Rose Manning
- 3rd Prize : So Good by Debra Keirce
- Alden Bryan Memorial Award: Best Traditional Oil Landscape : Cotton Candy by Susannah Murad
Whot-Knot
Ed Andrews
painted aluminum, 24" x 1.5"
Bloody Rift And Indomitable Life
Cariappa Annaiah, Signature Member
photography on canvas, 24" x 36" x 1"
(Becoming) The Better Man
Jason Cheeseman-Meyer
oil on linen, 25" x 49"
What We Talk About
Jeanne Ciravolo
mixed mediums on canvas, 60" x 36"
Iona
Murray Dewart
aluminum and bronze, 12" x 11" x 3"
Japanese Statuette with Goku
Robert Grady
oil on linen, 26" x 26"
Peace
Allan Hall
oil on linen, 19.25" x 25.25"
Ideograms III
Sarah Husley
ink, pencil, and collage on gampi paper, 26" x 22"
Tell Me
Delanie Kabrick
stoneware, 11" x 14" x 9"
Happily Ever After
mixed media – acrylic, ink, and pencil, 31.5" x 25.5"
Future Finds
Jonathan Latiano
charcoal on paper, 48" x 40"
Courage of Conviction
Kristen L'Esperance
basket reed with mixed media skin, 44" x 36"
Waxing Snow Moon/Andromeda
Kat Lombard-Cook
hand embroidery with led lights in a custom wood frame, 49" x 27"
Phoenix Rising
Sherwin Long
acrylic paint, 18" x 24"
Saint Virgil Abloh on Louis Vuitton
Rose Manning
acrylic on louis vuitton monogram canvas (card case, handbag, duffle), 24" x 24" x 18"
The Weight Between Us
Kristin Merrill
mixed media, 30" x 45" x 1"
Nonpareil
Judith Montminy
archival pigment print, 20" x 16"
Cotton Candy
Susannah Murad
oil on gesso board, 12.5" x 15.5"
The Thinnest Line Between Love and Memory
oil on aluminum composite panel, 23.5" x 42"
Pink Moon
Sarah Paolucci
oil on panel, 14.5" x 18.5"
Martian Probing
Bob Rosinsky
pigment print on museum-grade archival paper, 24" x 24"
Before the city there was a forest
photography, fine art print, limited edition #1/20, 13" x 19"
Cross-Star Vessel (two views)
Ellen Schon
3d printed stoneware, 14" x 7" x 7"
The Star
Shea Stoner-Day
oil on board, 18" x 24"
Stratum
S K Sullivan
oil on panel, 14" x 14"
Zone 3
Mark Younkle
collage, 11.75" x 15.25"